Diego's love for photography started when he was quite young. He remembers looking through the book U.S. Camera 1950 as a child, being transfixed with the images; the book was almost 40 years old at that time and was filled with the work of people we now consider Masters of Photography. His work bears a strong influence from those images.
He has a background in digital media production; his original focus was on short films and web media but over the last 15 years he has shifted to photography and mixed media art, while also continuing work on films - both behind the camera and in front of it. Besides some informal teaching, during childhood, with his grandpa, Vicente Armijo, on a Mamiya 35mm he is completely self taught.
With his background embracing digital photography was a given. He prefers to do only minimal editing on his photos, focusing on what he can do in camera rather than fixing it in post.
In this digital age where so many images are only viewed on a screen, where hard drive storage has taken the place of unprocessed rolls of film left forgotten in a drawer, he shoots selectively and approaches each photograph as if it will be printed.
Tiempo Duro by Diego Romero took visitors through the history of Las Vegas by viewing photograph transfers of historic and contemporary images of Las Vegas on lajas (flagstones) and cement structures in the Gallinas River. The lajas created a path to the Gallinas River where more images were transferred on to the cement structures by the water.